top movies of 2015

With an interspersed tale of an old man, this movie is just what you need to watch. “Knock, knock. ?” sink that much deeper into melancholia. 2015 was a golden year for the movie lovers, especially, action and adventure fanatics. Immaculately crafted, tremendously acted and rendered with consummate care and control, “Carol” is about the inexpressible, and the aching yearns of early, unformed loves and all the fragility it entails. Featuring stellar voice work from David Thewlis, Jennifer Jason Leigh (what a great year for her) and Noonan, the story is an existential crisis by way of puppets, and it’s just as hilarious, depressing, stunning, emotionally intelligent and intellectually emotional as it sounds. Uniting everyone from highbrow cinephiles to explosion-happy genre fans (the film featured on all but two of the seventeen lists submitted), George Miller’s fourth movie in his post-apocalyptic franchise was an absolute wonder, literally the best action movie in decades, and a classic even before the title character (Tom Hardy) has had his mask removed. It’s an old-school story told in an old-school way: Saoirse Ronan plays Eilis, a young Irish woman who leaves her small town for New York, where she finds a new home and a new love with an Italian man (a sigh-inducing Emory Cohen) in her new neighborhood. It’s really a movie about jealousy, about male competitiveness and friendship and about the mind of an artist and the loneliness common to such pursuits. Get The Latest IndieWire Alerts And Newsletters Delivered Directly To Your Inbox. An Explainer, Flashback: The Bee Gees Perform in Public for the Final Time, Watch Meek Mill Celebrate in Stylish ‘Middle of It’ Video, Greta Van Fleet Rip Through New Song ‘My Way, Soon’ on ‘Colbert’, ‘Tenet’ Review: Christopher Nolan’s Knockout Arrives Right on Time, ‘Bill & Ted Face the Music’ Review: Third Time’s a Most Excellent Charm, ‘Personal History of David Copperfield’ Review: Dickens, Served with a Side of Absurdity. From simmering same-sex romances to ‘Star Wars’, Peter Travers’ top 10 films of the year. Shot by Yves Bélanger, it’s a golden look at 1950s Ireland and New York City, filled with François Séguin’s perfect production design and Odile Dicks-Mireaux’s gorgeous costumes. You get Polygon's best movies of 2015 list, i.e., this post. Villeneuve has an almost eerie ability to stage set pieces of prolonged, heart-stopping tension —as he does in a bullet-ridden showdown set at the U.S./Mexico border— and his work here with Roger Deakins, who also gave “Prisoners” its dark, glistening patina, is some of the best work either has ever done. With literally hundreds of films still to open, you can look like a fool if December rolls around and everyone’s pretty much forgotten it. [Read our review], It’s been a long time coming for Hou Hsiao-Hsien’s new full-length feature film —over 7 years in fact, with the collective film world speculating each year whether that would be the one we see “The Assassin” grace screens. One that returned grace and beauty to the summer blockbuster. The year offered something for every section of the audience. [Read our review], What else did Playlisters vote for that didn’t quite make the cut? But perhaps the movie’s secret weapon is Boyle, who has spent a lifetime impelling visual propulsion, but instead here expertly channels the kineticism already on the page —an insightful and counter-intuitive move if there ever was one. Last year saw “Under The Skin” as our runaway winner, with “Birdman,” “Gone Girl,” “Foxcatcher” and “Nightcrawler” also making the Top 10. Who’s there? Filmmakers have been grappling with the horrors of the Holocaust for 70 years now, but few such films have been as powerful as Nemes’, who uses long, Lubezkian takes and astonishing sound design to throw you into a vision of the camps that take on an almost heightened level of nightmarishness, while never letting you forget that there is nothing even remotely heightened about it. Even if you’ve seen “Schindler’s List” or “Shoah,” this filmmaker makes you feel as if you’re bearing witness to those unprecedented atrocities, and thus makes sure that you’ll never, ever forget what happened. All-New Wolverine’s O-Face. [Read our review], 14. Click here for our complete coverage of the Best of 2015, Coming-of-sexual-age stories in cinema are usually reserved for boys becoming men, but when such films focus on young women, there’s often either a fuzzy haze of romance or the harsh glare of judgment on its protagonist. But this being from Pixar, and in particular from “Up” director Pete Docter, it’s also a total, well, joy —bright, exciting, funny (was anything funnier this year than the film’s closing credits? Best-Reviewed TV Shows by Genre 2015. The highest-grossing Bollywood … At the same time, they offered up worthwhile … But this year, we got a peek at a couple of new sides of the director. Best-Reviewed Movies by Genre 2015. More Golden Tomato Awards 2015. gregofzion87. [Read our review], It was perhaps inevitable that the seventh installment of a long-dormant franchise would end up making our top 20. [Read our review], 15. Nearly all scenes play out in impeccably choreographed long takes, via a camera that rarely stops moving —its style is akin to Michael Haneke’s “Code Unknown” and features a similar foreboding, disquieting sense that things are going to end badly. After a lean 88 minutes, you emerge rejuvenated and with a renewed hope for the future of film. Movie & TV News. Or the ‘abstract thought’ section? Let us know in the comments below. Eligible movies are ranked based on their Adjusted Scores. But then again, it is fucking brilliant. 2015 Re-release---$470,760: 16: $470,760: Apr 8: The Cinema Guild: false: 305: Let's Get Married---$462,918 Despite being in her early 20s and British, Powley so perfectly captures Minnie’s San Francisco adolescent artist spirit that we’re eager to doubt the actress’s own biographical details. However, it’s impossible to leave “Brooklyn” feeling anything but joy, as well as the desire to immediately see it again. Which might make it sound intimidating and unrelatable, but one of the film’s many pleasures is the way that it makes a seemingly extreme situation utterly relatable and deeply moving. As a story, “Mustang” is really more of a fable, one not just for women but for any kind of extreme control or repression. 2015 Romance movies, movie release dates. Based on David Lipsky’s memoirs of his time spent interviewing the writer for a Rolling Stone article, adapted by playwright Donald Marguiles and directed by James Ponsoldt (“The Spectacular Now”), the film works precisely because it never really sets out to be ‘a David Foster Wallace movie.’ You get real insight into the man, his work and his views on life, but Marguiles and Ponsoldt have used the source material (the dialogue is overwhelmingly from Lipsky’s transcripts) to make a great conversation movie, in the mold of Richard Linklater’s ‘Before’ films, that happens to feature the acclaimed novelist. The 10 Best Movies of 2015. Joke! The bar’s been raised once again. Music, Film, TV and Political News Coverage. Arguably the true auteur of the movie, Sorkin’s witty, rapid-fire dialogue crackles and is made human by the herculean acting of Michael Fassbender —one gets the sense he had to wrestle the script into a chokehold and consume it. Running just under two hours, the film tells the story of Nie Yinniang (the mesmerizing Hou regular Qi Shu) and her internal struggle between following her assassin’s instincts and following her heart. Other late December releases such as “Joy,” “The Revenant” and “The Hateful Eight,” have already been seen by at least one staffer, and though they aren’t featured here, those films will likely pop up in individual staff lists we’ll be running later this month. The performances from everyone involved are extraordinary, especially for a story that’s ripe for hysterical dramatics. ... (2015) 372: 21. But no one was prepared for “45 Years,” a serious step up for the director and one of the very best relationship movies in a very long time. Working in the mold of “difficult” Eastern European arthouse cinema, Ukrainian director Myroslav Slaboshpytskiy, in his debut feature, may give in to a certain level of monotone miserablism common in many films of its ilk, but it functions so well as a deeply allegorical, original piece of crime fiction that the overwhelming dread and grisly violence are simply inevitable, not forced or intended only to shock. Movies with 40 or more critic reviews vie for their place in history at Rotten Tomatoes. The Metascore is a weighted average of scores from top professional critics, on a … Marielle Heller’s 1970s-set “The Diary of a Teenage Girl” is the rare film that deals frankly with its heroine’s experience of and appreciation for sex while never condemning her for her choices. J.J. Abrams’ Mystery Box remains firmly closed until the week of release. As such, like the National Board of Review or the New York Film Critics Circle or any number of voting groups that are forced to make their decisions without seeing it, ‘The Force Awakens’ won’t be appearing on the bulk of these lists for now. (Alicia Vikander) can pass for human, the film finds new life in the often-tired robot/singularity theme, thanks to airtight writing, three terrific performances (Isaac in particular stands out) and direction marked by a craft and confidence that belies Garland’s first-timer status. It’s a film of moral quandaries and ethical obligations, where the city of Boston stands as one of the most compelling characters. Last year, for the first time, we conducted a poll of Playlist writers and staffers, collating their top tens (10 points for first place, 9 for second etc, plus a bonus point for every list a film was on) into a grand group Top 20. Movies. The film received much of its acclaim thanks to its legitimately beautiful iPhone 5s photography, but that’s just the tip of the iceberg when it comes to the movie’s virtues, which back up what we suspected after “Starlet” —Baker’s one of the most interesting indie filmmakers working. Sign up for our newsletter. “Room” What do you rank as your favorite films of the year? “Spotlight” is the definition of an ensemble film —it’s a story of teamwork and trust and one of the finest depictions of journalism since “All The President’s Men” (a connection that has been made repeatedly, but happens to be true). We want to hear from you! [Read our review], The last few sequel-heavy years aside, Pixar has built up such a reputation for brilliance that when the studio makes a film deemed only ‘pretty good,’ as with the currently-in-theaters “The Good Dinosaur,” you can feel disproportionately disappointed. ), “Anomalisa” would justify a bottomless well of funds for Kaufman’s next project in a perfect world. At least we can count our lucky stars that these imperfections can at times get the creative cogs turning to produce an unforgettable film. Apologies to another golden dozen films that I couldn't squeeze in but couldn't admire more: Son of Saul, The Revenant, Room, The Big Short, Mississippi Grind, Ex Machina, Sicario, Love & Mercy, The End of the Tour, Clouds of Sils Maria, The Diary of a Teenage Girl, and Amy, a documentary about Amy Winehouse that breaks new ground while passionately breaking your heart. European in style without being austere (it’s a textured, tendered film, even funny in places), beautifully lensed throughout, it’s perhaps above and beyond anything else a ghost story about how the past can haunt and change us long after the fact, how time shifts and changes us, and how unearthed secrets can make you reevaluate everything in your life. The terrific supporting cast of Kate Winslet, Seth Rogen, Jeff Daniels, Michael Stuhlbarg and Katherine Waterston, all working at the top of their game, make the movie radiate that much more. [Read our review], Between his tremendous breakthrough with “Weekend” and his gorgeous work helming much of HBO series “Looking,” we’ve had our eyes on British director Andrew Haigh for a while. [Read our review], Denis Villeneuve cements his status as one of the most exciting working filmmakers with his furious, visceral thriller “Sicario.” Following the grim one-two punch of his gloomy, arresting “Prisoners” and his whatsit of a doppelganger flick “Enemy,” “Sicario” emerges as Villeneuve’s most assured and distressing work to date. Not to rest on the kind of cliches that Coogler mostly avoids, but “Creed” packed an emotional punch like few other movies this year. At the film’s bursting heart is Minnie, played with wide eyes and a heady combination of maturity and naivete by Bel Powley. Star Wars fans inbound to rage, Mad Max was easily the best of the year. The 100 Best Movies on Netflix Right Now Fargo, Good Time, Back to the Future, and more. One that wasn’t afraid to get weird, like the blue-tinged section in the mudlands that feels almost like a Tarkovsky movie. The premise suggested a film that could have been almost impossibly bleak if Abrahamson put a foot wrong: instead, it’s deeply human. McCarthy snagged an impressive cast for the gig (Michael Keaton, Mark Ruffalo, Rachel McAdams, Liev Schreiber), all of whom are in top form and none of whom dominate the film, which is just how it should be. It’s kind of amazing that it even got financed. With Chanel Preston, Nina Hartley, Raylin Joy, Herschel Savage. Here we listed some new animated movies on DVD 2016, 2015, 2014, 2013 DVD movies with animated feature and 10 best animated DVD movies of all time for you to enjoy with your kids and family. And thanks to Ponsoldt’s typically sensitive, finely honed direction and excellent performances from both Segel and Jesse Eisenberg, it works beautifully even if you’ve never heard of “Infinite Jest.” [Read our review], In a great interview recently, Charlie Kaufman expressed the problems he experiences getting his stories made. Tomatometer rankings of the top 100 best movies of 2020 and all time. The Best Thriller Movies Of 2015, Ranked. Though you won't see most of these films nominated in the Best Picture category at the Oscars, we think these movies -- featuring everything from animal adventures to space survival, superheroes to speaking up -- are the best of 2015 for kids, teens, and families.They entertained us, made us think, and gave us plenty to talk about. And yet “The End Of The Tour” turned out not be a joke: it turned out to be a smart, beautifully acted film that did justice to its subject, even if some believe that its subject would have been horrified that it existed. Stripping down to the absolute basics —it’s a chase movie in the same way that Buster Keaton’s “The General” is a chase movie— barely ever stopping to catch a breath while building a fascinating world through side-details and establishing complex characters through action, the director gifted us all with an adrenaline shot of pure, unfiltered cinema. To be perfectly frank, it sounded like a joke, a sketch on “Portlandia” or something: a movie about beloved ’90s literary idol David Foster Wallace, starring Judd Apatow favorite Jason Segel. We provide 2015 movie release dates, cast, posters, trailers and ratings. The Final Girls may be … How did it unfold? The wide range of emotions felt by Ronan’s Eilis feels earned within the film, and the actress’s blue eyes clearly communicate each of her thoughts. “The End Of The Tour” Not all staffers had seen “The Revenant,” “Joy” and “The Hateful Eight” by the time voting closed, but only Inarritu’s film registered on one poll of those that had, suggesting they might not have made the cut if they had (it’s worth noting that other late-year openers like “Anomalisa” and “45 Years” did, while last year films like “Selma” and “A Most Violent Year,” which also hadn’t been widely screened yet, cracked the Top 20). There are plenty of animated DVD movies. This movie will teach you that love is worth everything, if you know that person is the one for you. It’s not that there aren’t problems with cinema right now, but anyone who says that there aren’t enough good movies didn’t see enough movies or was seeing the wrong ones. But Coogler has such specificity in his writing (teamed with Aaron Covington) and such a clear idea of these characters and their journeys that it feels utterly fresh. After Thanksgiving, Here Are the 2020 Movies Still Worthy of Anticipation — Screen Talk 310, How Joe Biden’s Win Could Impact the Oscar Race, from Stacey Abrams to ‘Borat’, How Oscar Season Could Elevate Unusual Movies This Season, ‘Dick Johnson Is Dead’: Kirsten Johnson Made Cinema Magic Out of Embracing the Unknown, ‘Boys State’: How ‘Son of Saul’ Influenced the Documentary’s Up-Close Subjectivity — Toolkit Podcast, Introducing ‘Deep Dive’: Damon Lindelof and His Team Go Behind the Scenes of ‘Watchmen’, 35 Must-See New Movies to See This Fall Season, ‘Happiest Season’: How Clea DuVall Made the Queer Holiday Rom-Com the World Needs Now, ‘Bob Hearts Abishola’: Hollywood Agents Encouraged Folake Olowofoyeku to Change Her Name. Immaculately handcrafted and wholly immersive, the film turns Cincinnati into a vortex of mediocrity that sucks Thewlis’ Michael Stone in, until, in the midst of a rapid succession of crises, a beautiful anomaly emerges in Leigh’s Lisa. Nothing can undo the intensely rigorous and stylish filmmaking on display in “The Tribe,” which plays like an even more disturbing combination of “City of God” and “Lord of the Flies.” The potentially gimmicky conceit —all dialogue is spoken through sign language with no subtitles— creates a unique, wholly cinematic world where the viewer’s perception of cinema is radically altered. 2015 Movies: A list of movies in theaters + released in 2015. This film keeps you guessing as to exactly what it’s up to with every scene (no film was more carefully plotted this year), and reveals its true intentions only very late in the game. For this and all tables in this article, only movies with seven or more reviews released in the United States between January 1, 2015 and December 31, 2015 were considered. Nothing about director Lenny Abrahamson‘s previous work could have prepared us for the emotionally visceral gut punch of “Room.” Based on a best-selling novel by Emma Donoghue, who also adapted her book for the screen, this picture is about Jack (Jacob Tremblay), a loving, energetic, and imaginative 5-year-old boy who spent his entire life imprisoned in a ten-feet-by-ten-feet room with his mother (Brie Larson). Menu. In a year when some of the best films demonstrated the hypocrisy and ineffectiveness of the last gasps of ruling patriarchy, little Lale is right up there with Imperator Furiosa as a badass feminist heroine. Thriller movies excite audiences like no other film genre, and the year 2015 provided viewers with some of the best examples of high-flying thrills. In addition to Powley’s breakout performance, “The Diary of a Teenage Girl” marks a bold entry into filmmaking for writer-director Heller. Take a look below. There’s no space to write about the narrative in the detail it warrants here, but Hou’s methods —synced with cinematographer Mark Lee Ping Bing and production designer Wen-Ying Huang— turn the aesthetics into the story. The film focuses on the run-up to the titular wedding anniversary of an elderly, seemingly happy married couple (Charlotte Rampling and Tom Courtenay), and the fractures that appear when the body of his ex-girlfriend, who died in a mountaineering accident and has been frozen in the ice for half a century, is discovered. It’s not that it reinvents the boxing genre —it’s hitting many of the same beats as many boxing movies since “Rocky” and beyond. I disagree with The Gift. The first was the godawful Adam Sandler fiasco “The Cobbler” (which occupies a spot on our Worst Of The Year list). Vive la resistance. It's a weird list, but it's very lovable. [Read our review], The list of first-time filmmakers who’ve played in competition at Cannes is a short one, and the list of those that won prizes is even smaller. [Read our review], Given the commensurate lack of buzz, it’s possible you missed the boat on the exquisite-ness of Todd Haynes’ superb HBO mini-series “Mildred Pierce.” But lets not be nags: everyone’s on board the Haynes train this year, and that’s just gravy for all of us. 2015 Thriller movies, movie release dates. A tale of inexorable moral compromise unfolding along the godless Cartel city of Ciudad Juarez, Mexico, “Sicario” is ultimately the story of Kate Mercer, a driven and resolutely unsentimental FBI agent who finds herself repeatedly thwarted by her male superiors when she agrees to enter this Southwestern heart of darkness. [Read our review], “Mustang” is one of those little miracles: a film from a first time feature director that arrives fully-formed, distinct of style and vision and utterly fearless. Re-releases are excluded. [Read our review], Tom McCarthy has been producing relatively solid dramedies for a handful of years. In other hands, “The Diary of a Teenage Girl” could feel like a standard period film about a young woman’s sexual and artistic awakening, but Heller and Powley have made this a vital experience filled with creativity and wonder. Ergüven places the audience in the girls’ perspective, thus making us one of the sisters, with the camera following the herd, peering out of windows and doors. More Golden Tomato Awards 2015. That László Nemes’ debut “Son Of Saul” won the Grand Prize on the Croisette certainly marks it out for attention, but those who haven’t seen it yet (it opens finally in the U.S. next week) probably aren’t yet prepared for the gut-punch power and masterful filmmaking on display from the Hungarian director (a former assistant to Bela Tarr). You hear “cinema is dead” constantly. Not Hou.” But once it finally premiered in Cannes earlier in the year, the jokes quickly switched to chastened murmurs. But it’s Benicio del Toro, as a man whose soul is all but a bygone thing, who quietly steals the show here. The top 10 will be revealed each weekday from 7 December This year, we’d wager that our final list is a more interesting, surprising and, frankly, better line-up. Set inside the head of young Riley, whose emotional turmoil after moving to San Francisco sends the personifications of Joy (Amy Poehler) and Sadness (Phyllis Smith) into the deepest recesses of her mind, it’s a remarkably mature yet accessible look at what makes us tick and which grapples with an elusive truth —sadness isn’t just unavoidable, it’s necessary— that so-called grown-up movies would cross the street to avoid. It’s a lot like its protagonist, Lale —unwavering, clear-eyed, determined. It is a movie about the unspoken moments of desire, the subtle gestures, the furtive glances, and the batted-eyelashes we have to decode when falling in love, but are too deep in a place of vulnerability to play our hand. Movies; 30 Best Movies of 2015; Features 30 Best Movies of 2015. A quick note about our year-end coverage: We, like you and everyone else, haven’t seen “Star Wars: The Force Awakens” yet. Through phenomenal craftsmanship, scenes melt into one another and transport us in a trance to another time and another place, dissolving humanity and the natural world into a singular condition. Miller’s already started talking about potential further ‘Max’ movies, but there’s part of us that wants him to let it alone, because returning with something as utterly perfect as “Fury Road” is a big, big task. The Guardian film team's favourite movies released in the US in 2015, counting down to the best of the year. Set over one long Christmas Eve night in L.A. (it’s a holiday classic in the making), the movie tracks Sin-Dee (Kitana Kiki Rodriguez) and Alexandra (Mya Taylor), as they set out to find Sin-Dee’s boyfriend (James Ransone), who’s allegedly been cheating on her while she was in prison. The tremendous Geza Rohrig plays an Auschwitz Sonderkommando, a Jewish prisoner forced into aiding the Nazis in the concentration camps, who discovers what he believes is the body of his estranged child in the gas chambers and sets out to give him a proper burial. Best-Reviewed TV Shows by Genre 2015. Directed by Bryn Pryor. I had to wait for the last-minute screening of Star Wars: The Force Awakens — and I'm glad I did. But as the film so resonantly explains, this is an imperfect world we live in, one full of trivial shit. With this impeccably made movie, Haynes, perhaps belatedly, is crystallized as one of America’s greatest living directors. , light of touch, beautifully voiced and impossibly touching movies of,... Of film based on their Adjusted Scores + released in 2015 ’ re on same. Average of Scores from top professional critics, on a … you “. As bad as the human yo-yo trick in the mudlands that feels almost a. 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